One of the prime movers in our changing perceptions of narrative dance is choreographer Cathy Marston, whose works feature in major international companies. She speaks with ICONS before her premiere of The Cellist, for The Royal Ballet in London. Based on the life of Jacqueline du Pré, it melds musician into a dancer in Marston’s inimitable style where the essence of the narrative is paramount.

Read the Full Interview with CATHY MARSTON 

ICONS INSPIRE is a monthly digital portrait and a one-on-one interview with a groundbreaking choreographer. Get the insider point of view on an important dancemaker creative process, background and training to inspire, provoke and challenge your intellectual repertoire.

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Welcome to ICON SMART! We are happy to announce the recent creation of the first ever Choreographic Institute here in Washington, D.C. USA --- a long needed educational platform to foster creativity and develop professional skills specifically for emerging choreographers. Our Info Pack is available to download here.

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• How do we teach choreographic craft?
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Your responses...

• April B. - ...through a multi-layered process of building an awareness of the expansive lexicon of human movement; training the student in self-defining practices such as improvisation and Authentic Movement; and giving them choreographic tasks/studies.
• Joana L. - I think that every emerging choreographer should design their own method of learning the craft.
• Molissa F. - Dance composition classes in an academic setting usually offer a pretty solid foundation.

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